Il Re del Terrore/ Diabolik
2024
Plaster, pigments, glue, pewter alloy, honeycomb wax
and oil, polyurethane elastomer
19 x 24 x 4.25 inches
Finocchio, Either The World Kills Me or I Kill It
2024
Plaster, pigments, glue, pewter alloy,
honeycomb wax and oil, polyurethane elastomer
24 x 17.5 x 4.25 inches
No sooner had he made it then it began to grow.
And it grew, and grew, and grew until in a few minutes
it had become an immense nose that seemed it would never end.
2024
Polyurethane elastomer, pigments, pewter alloy, aluminum
71 x 27 x 8 inches
BEAM ME UP TOTO, THIS PLANET SUCKS!
2024
Plaster, pigments, glue, pewter alloy,
honeycomb wax and oil, polyurethane elastomer
21 x 22.5 x 4.25 inches
2024
Plaster, pigments, glue, pewter alloy,
honeycomb wax and oil, polyurethane elastomer
21 x 22.5 x 4.25 inches
CHOMP! CHEW! It Was A MANS right arm and it had been BAKED/ Dr. Delicada’s Elixir of Love
2024
Plaster, pigments, glue, pewter alloy,
honeycomb wax and oil, polyurethane elastomer
18.5 x 22.5 x 4.25 inches
2024
Plaster, pigments, glue, pewter alloy,
honeycomb wax and oil, polyurethane elastomer
18.5 x 22.5 x 4.25 inches
As Above, So Be Low
2024
Plaster, pigments, glue, pewter alloy, aluminum,
honeycombwax and oil, hair, polyurethane elastomer
71 x 27 x 44 inches
2024
Plaster, pigments, glue, pewter alloy, aluminum,
honeycombwax and oil, hair, polyurethane elastomer
71 x 27 x 44 inches
Who Do You Think They’re Fooling: You?
Essex Flowers, New York New York
June 28 - July 28, 2024
Essex Flowers, New York New York
June 28 - July 28, 2024
Who Do You Think They’re Fooling: You? was a solo exhibition at Essex Flowers gallery that featured a series of inlaid scagliola tablets, a traditional art form using plaster and pigment to mimic stone marble. I used this labor-intensive process to create forms resembling Rorschach tests. Mining the matrix language of DIY punk t-shirts, each tablet intertwines images and language from a diverse set of sources, spanning pop culture, biological motifs, opera, Italian fumetti comics, and queer histories. These tablets act as speculative gateways, combining historical and contemporary references to explore the complex interplay of biopsychosocial and broader cultural forces.
Alongside this work was the 3 channel installation
Rubber Room/ I AM A FORCE OF THE PAST (see above)
Alongside this work was the 3 channel installation
Rubber Room/ I AM A FORCE OF THE PAST (see above)